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    <title>Women Collectors of Folktales</title>
    <postdate>Monday, October 30, 2023</postdate>
    <body>&lt;p&gt;Most collectors of Pontic folktales were men. Here are the only women collectors whose work appears under their own names that I have identified to date:&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p&gt;Fostiropoulou, Despoina&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 425C as “Shihouna” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 450 + 403 + 1373B* as “Giannits and Maritsa” (1938)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 460B as “The Undying Sun” (1938)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 510A + 707 as “Cinderella Maritsa” (1938)&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 750* as “The Almsgiving Bride” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 875 + 891 as “The Clever Girl Who Became Queen” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 883A as “The Scaldhead and the Embezzler” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;AT 903C as “Kyrlovits” (1938)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;ATU 1384 + 1295A* + 1288 as “Everyone is Crazy” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;El-Shamy 1618A as “The Flattened Rings” (1939)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;u1:p&gt;&lt;/u1:p&gt;Plus twelve anecdotes and two traditions&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;u1:p&gt;&lt;/u1:p&gt;Karamanli, Eftyhia&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 325 as “The Moor's Apprentice” (1958)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 514 as “The Girl Who Tricked the Ogre” (1958)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Konstantinidou, Despoina&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 122 as “The Fox That Confessed” (1937)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Koutalakidou, Hrysoula&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 402 “The Animal Bride” (1959)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Neofytidou, Anna&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;ATU 1848A as “The Priest and the Gourd” (1937)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Nosi, Panayiota&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 461 as “The Moorish Boy (1960)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Panagiotou, Kaiti&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;“The Witch” (1937)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;mso-ansi-language:IT;&quot; lang=&quot;IT&quot;&gt;Skliva, Maria&lt;/span&gt;&lt;span style=&quot;mso-ansi-language:IT;&quot; lang=&quot;IT&quot;&gt; (nb: provenance vexed)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 400 as “The Prince and the Bear” (1959)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Stefanidou, H.&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;“The Priest and the Priest’s Wife” (1938)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Stefanidou, P.&lt;/span&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;ATU 736 as “Not Even a Leaf Moves Without God’s Will” (19370&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;background:#F7FCFF;color:#333333;font-family:&amp;quot;Open Sans&amp;quot;,sans-serif;font-size:10.0pt;&quot;&gt;Tornikidou, G.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;ul style=&quot;list-style-type:disc;&quot;&gt;&lt;li class=&quot;MsoListParagraph&quot; style=&quot;margin-left:1.0in;mso-list:l0 level2 lfo1;tab-stops:list 1.0in;&quot;&gt;“The Turkish Convert” (1931)&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;</body>
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